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<?xml-stylesheet type="text/xsl" href="http://zappafan.net/csrv/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Gabor</title><link>http://zappafan.net/csrv/blogs/gabor/default.aspx</link><description /><dc:language>en</dc:language><generator>CommunityServer 2.1 SP2 (Build: 61129.2)</generator><item><title>French Powered N°7</title><link>http://zappafan.net/csrv/blogs/gabor/archive/2007/06/07/french-powered-n-7.aspx</link><pubDate>Thu, 07 Jun 2007 16:59:00 GMT</pubDate><guid isPermaLink="false">5a1c7ea1-1ffd-4f17-8f93-44e2721d326c:517</guid><dc:creator>Gabor</dc:creator><slash:comments>0</slash:comments><comments>http://zappafan.net/csrv/blogs/gabor/comments/517.aspx</comments><wfw:commentRss>http://zappafan.net/csrv/blogs/gabor/commentrss.aspx?PostID=517</wfw:commentRss><description>

&lt;p&gt;&lt;img src="http://zappafan.net/images/fz-journal7.jpg"&gt;&lt;br&gt;
Tout vient à point qui sait attendre...&lt;br&gt;le N°7 de French Powered est en ligne avec une interview exclusive de Christophe Delbrouck et une doze de participation de Guillaume Dazou :))&lt;br&gt;&lt;br&gt;Ouf demain c'est vide-grenier, chasse à l'album rare de Zappa, genre 200 Motels comme neuf avec le livret&amp;nbsp; et LE POSTER d'origine même pas jauni pour 5 euros... mais ça, c'est une autre histoire, peut-être dans le prochain Numéro !&lt;br&gt;&lt;br&gt;&lt;a href="http://zapinfrance.free.fr/frenchpower7.html"&gt;Version Safari Firefox Opera&lt;/a&gt;&lt;br&gt;&lt;a href="http://zapinfrance.free.fr/frenchpower7beta.html"&gt;Version Internet Explorer&lt;/a&gt;&lt;br&gt;&lt;/p&gt;&lt;img src="http://zappafan.net/csrv/aggbug.aspx?PostID=517" width="1" height="1"&gt;</description><category domain="http://zappafan.net/csrv/blogs/gabor/archive/tags/news/default.aspx">news</category></item><item><title>Jazz From Hell (interview)</title><link>http://zappafan.net/csrv/blogs/gabor/archive/2007/06/03/jazz-from-hell-interview.aspx</link><pubDate>Sun, 03 Jun 2007 15:28:00 GMT</pubDate><guid isPermaLink="false">5a1c7ea1-1ffd-4f17-8f93-44e2721d326c:511</guid><dc:creator>Gabor</dc:creator><slash:comments>0</slash:comments><comments>http://zappafan.net/csrv/blogs/gabor/comments/511.aspx</comments><wfw:commentRss>http://zappafan.net/csrv/blogs/gabor/commentrss.aspx?PostID=511</wfw:commentRss><description>&lt;p&gt;&lt;b&gt;Interview By Robert L. Doerschuk &amp;amp; Jim Aikin&lt;/b&gt; &lt;br&gt;From A Definitive Tribute to Frank Zappa (Best of Guitar Player, 1994) &lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;i&gt;In late 1986, Zappa released &lt;/i&gt;Jazz From Hell&lt;i&gt;, an album of diabolically dense musings concocted on the Synclavier. This was all the excuse &lt;/i&gt;Keyboard&lt;i&gt; needed to feature him on their February 1987 cover.-- Editor&lt;/i&gt; &lt;br&gt; 
&lt;/p&gt;

&lt;hr&gt; &lt;br&gt;Frank
Zappa was born too soon. After years of running sidemen through
impossible charts and resigning himself to the distractions and
imperfections of live performance, he's finally got what he wants: an
instrument on which he can nail down the complex sound blends,
polyrhythms, and lines that could formerly come together only in his
head.&lt;br&gt;&lt;br&gt;  
&lt;embed src="http://www.youtube.com/v/77pDQceiUus" height="300" width="365"&gt;&lt;br&gt;&lt;br&gt;
&lt;p&gt;No, it's not a souped-up guitar. Though he is known as a
guitarist of formidable originality, Zappa hasn't touched the
instrument much during the past two years. These says you'll most
likely find him at his home studio, bent over the keyboard of a New
England Digital Synclavier. &lt;/p&gt;

&lt;p&gt;He's not necessarily giving up on
live gigs, mind you. In fact, his upcoming ten-album compilation of
concert performances is designed to show young listeners raised on
sequencers and drum machines that the essence of real-time playing lies
beyond the reach of studio hermits. But as far back as his first albums
with the Mothers Of Invention, Zappa displayed a double creative
mentality. As an improviser on guitar he could hold his own against
Jimi Hendrix, Jeff Beck, and the best of the era. His strongest
episodes, though, were often his written pieces, which required reading
chops and discipline to a point beyond the reach of your typical
blooz-'n'-boogie droner.&lt;/p&gt;&lt;p&gt;&lt;a href="http://zappafan.net/csrv/blogs/gabor/archive/2007/06/03/jazz-from-hell.aspx"&gt;[Full Interview]&lt;br&gt;&lt;br&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://zappafan.net/csrv/aggbug.aspx?PostID=511" width="1" height="1"&gt;</description><category domain="http://zappafan.net/csrv/blogs/gabor/archive/tags/Zappa+Interviews/default.aspx">Zappa Interviews</category></item></channel></rss>